By Ed Brubaker (writer), Mike Choi (art), Sonia Oback (colors)

What is it with good writers failing on mutant books? Once again, Ed Brubaker delivers a below average story that’s nothing short of being a complete yawn fest. Picking up where last issue left off, we’re given a vague hint of what’s taking place in San Francisco – someone’s turning the city back in time. Emma and Cyclops arrive on the scene to investigate but we’re given nothing more than that. At least Hepzibah finally turns up.

Wolverine, Nightcrawler, and Colossus, now in Russia, go to visit the graves of Peter’s parents. Afterwards, they hit up a local bar and exchange useless dialog. The biggest offense to this conversation is that it gives a glaring spoiler as to what’s going to happen in the delayed Giant-Sized Astonishing X-Men #1 (who knows when that book’s due out). If you’re enjoying Joss Whedon’s run, you shouldn’t read this book until he wraps things up. I was already bored with this story as it was, but reading this spoiler completely ruined it for me. Throw in another obligatory and meaningless bar scene brawl and you can see that Brubaker is just going through the motions.

Mike Choi and Sonia Oback continue to dazzle my eyes with their art. But it’s not perfect: Logan looks too youthful and too much of a pretty boy, while the fight scene in the bar is completely uninspired from an action standpoint. The nod to Neil Gaiman’s Eternals mini-series was probably the only thing I really liked. (Grade: D)

– J. Montes

Grade

Conclusion