By Paul Dini (Writer), Guillem March (Art), and Jose Villarrubia (Colors)

Some Thoughts Before The Review: I thought the last issue of Gotham City Sirens was the best one so far. That’s not necessarily a good thing, however, because Paul Dini didn’t write the book and the main characters were limited to about two pages. What’s that say about the strength of the concept?

The Story: Harley Quinn’s not in the best of positions. She’s unknowingly in the clutches of Hush and also a target of the Joker. Lucky for Harley though, she’s got some backup. She’s just not aware of it yet…

What’s Good And What’s Not So Good: I know I say this in some way for every Gotham City Sirens review, but it is one seriously nice-looking series. From the dynamic scene composition (Joker’s splash page and Ivy’s plant communication scene comes to mind) and storytelling to the character work and action, Guillem March continues to impress. And thanks to Jose Villarrubia’s flawless color work, every panel looks vibrant and feels very alive.

Both March and Villarrubia do wonders for what is, in all honesty, a pretty bland script. While Paul Dini definitely gets across the characters and tells a story that’s decent enough, it all feels somewhat uninspired. That said, I do really enjoy the part where Joker and his thugs play in Gotham City Sirens #4. The thugs because of their fairly smart conversation, and Joker because of his body language (credit to Guillem March for that one) and the way he goes to some interesting lengths to bring down Harley Quinn.

It’s tough to really come down too hard on Gotham City Sirens #4 because it’s, at worst, average. The book certainly gets the job done, yet at the same time it leaves something to be desired. My hope is that eventually, Dini creates some sort of compelling hook that makes Sirens a solid part of my pull list as opposed to a book that’s making the cut solely because of the artwork.

Conclusion: Gotham City Sirens #4 delivers a lot more of the same. That’s a good thing as far as the artwork is concerned. That’s a bad thing as far as the script is concerned.

Grade: C+

-Kyle Posluszny