Some Thoughts Before The Review: Deadpool stories by some of my favorite writers?! Needless to say, I have some pretty high expectations for Deadpool #900.
“Close Encounters of the F*cked-up Kind”
By Jason Aaron (Writer), Chris Staggs (Pencils), Juan Vlasco (Inks), and Marte Gracia (Colors)
The Story: Aliens abduct Deadpool. You probably know what happens next.
The Good And The Bad: “Close Encounters of the F*cked-up Kind” is a basic, predictable “aliens abduct someone they can’t handle” story. Regardless though, it still manages to be pretty fun. Chris Staggs’s pencil work, while a bit rough, is mostly impressive and compares favorably to Paco Medina’s work on the ongoing series. Jason Aaron’s dialogue is humorously immature at times, but it works well enough and fits the story.
“Silent but Deadly”
By Fred Van Lente (Writer) and Dalibor Talajic (Artist)
The Story: Deadpool fights a trio of mimes.
The Good And The Bad: While there isn’t a whole lot of dialogue, Fred Van Lente’s story about mimes that have the power to make their miming actions a reality is one of the best things about Deadpool #900. Artist Dalibor Talajic does almost all of the hard work and definitely does Van Lente’s script justice. Talajic’s art tells the story extremely well, though a few panels are a bit hard to follow because of how the powers being used work. A sword fight without swords cannot be an easy thing to draw, so I give all the credit in the world to Talajic for making the scene work far better than it has any right to.
By Mike Benson (Writer), Damion Scott (Artist), and Lee Loughridge (Colors)
The Story: Deadpool sees a shrink in order to work through some issues.
The Good And The Bad: Mike Benson’s Deadpool story is definitely the oddest one of the bunch. It’s dark, surprisingly serious, a bit psychological, and somewhere between gritty and surreal (not to mention very “indie”) visually. Personally, I think it’s compelling and very well executed. That said, there’s no question it seems a bit out of place among the lighter stuff in Deadpool #900. One thing’s for sure though: Damion Scott and Lee Loughridge make a great team.
By Joe Kelly (Writer) and Rob Liefeld (Artist)
The Story: Deadpool looks to cash in on a bet.
The Good And The Bad: I’m not going to bother with the debate about Rob Liefeld’s art style. Why? Because his work for “Pinky Swear” sure as hell isn’t going to change any minds. As for the story, Joe Kelly does a nice job of delaying the whole point of the story for comedic effect. Had the story been even a page longer though, I probably would have lost my patience with the whole thing. Kelly’s dialogue is funny, but the story drags on for longer than it should.
“What Happens in Vegas…”
By Duane Swierczynski (Writer), Shawn Crystal (Artist), and Lee Loughridge (Colors)
The Story: A crime scene investigation… Deadpool style.
The Good And The Bad: In order to get the most out of Duane Swierczynski’s Deadpool story, you have to have some familiarity with the whole crime scene T.V. show fad. If you do, you’ll probably find Swierczynski’s script to be pretty damned funny. Stereotypical investigators, talk of sex crimes, a bloody crime scene…it’s all there. It wouldn’t work nearly as well if Shawn Crystal’s artwork didn’t capture the vibe of Swierczynski’s script, but, thankfully, it does in every way.
“Great Balls of Thunder on the Deep Blue Sea”
By Victor Gischler (Writer), Sanford Greene (Pencils), Nathan Massengill (Inks), and Dave McCaig (Colors)
The Story: Deadpool goes on a cruise and disrupts Dr. Octopus.
The Good And The Bad: While the bright and colorful artwork by Sanford Green and his team is a bit jarring, it’s certainly not bad in any way. It gets the job done and helps make “Great Balls of Thunder on the Deep Blue Sea” one of the more enjoyable reads in Deadpool #900. Victor Gischler’s script is nothing special, but it definitely makes good use of the Doc’s arms.
By Charlie Houston (Writer) and Kyle Baker (Artist)
The Story: A “meta” Deadpool story in which the character wonders about his life.
The Good And The Bad: “One Down” is a pretty trippy story all around. From Kyle Baker’s bizarre visuals (Deadpool Vs. a pirate Fin Fang Foom anyone?) to Charlie Houston’s “meta” script, nearly everything about “One Down” is strange. It works, but the story certainly isn’t for everyone.
“Deadpool & Widdle Wade: Turning Japanese”
By James Felder (Writer), Pete Woods (Pencils), Walden Wong (Inks), and Shannon Blanchard (Colors)
The Story: A reprint of an older Deadpool story, “Deadpool & Widdle Wade” is the largest story in Deadpool #900. It’s about Deadpool dealing with a Japanese mobsters Deadpool clone.
The Good And The Bad: I’m a bit torn about “Deadpool & Widdle Wade.” On one hand, it’s creatively decent and pretty fun all around. On the other, it’s a reprint that’s taking up space that could have been used on other new Deadpool stories.
Conclusion: Deadpool #900 is a great value, but none of the stories in the book fall under the “must read” category. Pick it up if you are a fan of the character.
Overall Grade: C+