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Green Lantern: New Guardians #35 – Review

By: Justin Jordan (writer), Brad Walker (penciller), Andrew Hennessy with Robin Riggs (inkers), Wil Quintana (colorist)

The Story: One night Kyle dreamed he was walking with a god.

He was bothered and said

“During the most trying periods of my life

I see that there has only been one set of footprints behind me.

Why during my lowest moments have you not been there for me?”

Then Highfather turned to him and replied,

“That’s when you were Ion, we don’t really talk about that anymore.”


The Review: The New Gods have arrived and they’re at war with more than one of the Lantern Corps right now. All the same, one can’t help but feel that that’s really just a side effect. Highfather already declared the Lantern rings failures two weeks ago. So while I encourage you to follow your favorite characters as far as you care to, for me, it was always Kyle Rayner who held the lion’s share of my interest in this “Godhead” crossover.

Ever since Justin Jordan took over Green Lantern: New Guardians, this title has always been the unsung hero of the Lantern books. It’s held its own against big brother, Green Lantern, and sleeper hit, Red Lanterns, while introducing many of the major plots for DC’s cosmic universe. Indeed, it’s becoming even clearer that the Lantern line has really been following Kyle’s story ever since Geoff Johns left.

This crossover arrives rather suddenly. To get right to the meat of it, I think that this issue’s biggest problem is one that has frequently afflicted the title, namely a feeling of being somewhat padded.

It’s not regular padding, either; things don’t just happen to fill space, it’s smarter than that. The problem here is that, whether due to editorial constraints or Jordan’s own sensibilities, the, rather lovely, endpoint for this issue doesn’t feel quite like it has to be twenty pages from the beginning. Jordan tries to alleviate this by giving us greater character depth, but at times the level of tension in the book simply can’t hold up.
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Teenage Mutant Ninja Turtles #39 – Review

By: Kevin Eastman, Bobby Curnow, Tom Waltz (story), Mateus Santolouco (art), Ronda Pattison (colors)

The Story: Among other vices, Old Hob is a specist.

The Review: I’m feeling pretty good about the future of this series because it just occurred to me how massive and colorful the cast has become since I first started reading. The best serial fiction requires exactly such a cast because that’s the only way it can sustain itself over the long term. Placing all your bets on your star is always a bad idea because eventually, he will collapse and no one else will have muscle to take his place. Isn’t that kind of what happened on Dexter?

Anyway, this issue shows how much potential TMNT has now to mix and match its characters in search of new storylines. Who’d have ever thought of pairing Alopex and Angel together, for instance? Yet when you see them together, it all makes sense: both are buttkicking females; both are sort of outsiders from the other groups in the series; both are seeking purpose. Although Alopex’s motive in reaching out to Angel may be another bid to curry the Turtles’ favor, I think she’s found her BFF right here.
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The Legend of Korra S04E03 – Review

By: Tim Hedrick (story)

The Story: Korra gets her butt kicked by a blind old woman.

The Review: Last episode represented something of a high water mark for the show in terms of psychological gravity, but if there’s one area in which the show still has little experience, it’s politics. From the season premiere, almost any viewer could see that Kuvira’s control issues and Prince Wu’s utter incompetence was going to lead to some kind of coup, yet it takes nearly every other character in the episode by surprise. Even for politicians, that’s a new low of shortsightedness.

Tenzin’s mostly a spiritual world leader, but at least he voices some misgivings about Kuvira. Leave it to the seasoned official to totally get the wrong call. In response to Tenzin’s concerns, Raiko says matter-of-factly, “She gave me her word she’d step down.” That pretty well sums up the level of sophistication in government affairs for the Avatar world: global power handed over on the basis of essentially a pinky-swear. Even Suyin, who’s openly hostile to Kuvira’s power grabs, labors under the assumption her future daughter-in-law will eventually relinquish that power. Thus the season’s biggest conflict arises from everyone else’s stupidity.
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Loki: Agent of Asgard #7 – Review

By: Al Ewing (story), Jorge Coelho (art), Lee Loughridge (colors)

The Story: In which Doom doesn’t engage in self-discovery.

The Review: My unfamiliarity with Marvel canon means the films can be as influential on my understanding of the characters as the comics. Freyja, for example, I’m used to thinking of as the ultimate mother, full of unconditional love even for the reprobates in her family. So it’s rather jarring to see her manipulative strong-arming of Loki into a joyless future just to ensure the happiness of everyone else’s. Her rationalization for ensuring Old Loki’s existence is all queen, but little mother:

“He is the Loki we need now. In this time of change, he brings a promise of security. The future he promises is a golden one for us all.”

Even Odin, not exactly known for touchy-feelyness, has second thoughts about the trade-off. “All but him, cursed to ever play the villain, to ever lose… How does the younger Loki take it?”

His wife wavers, but stays on point. “He…he will come to his senses in time.”
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Fables #145 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha, Andrew Pepoy, Dan Green (inks), Lee Loughridge (colors)

The Story: Girl power isn’t quite enough to beat wolf god power.

The Review: As we get closer to the end of this series, I find a little less to say about it each issue. Of course, this may have something to do with Willingham killing off a character or two each month, but mostly it’s because we’re veering away from the stuff that makes Fables compelling—exploring and reimagining classic fairy tales—in favor of physical conflict, which isn’t Willingham’s strongest suit. There’s not much tactical brilliance at work in these battles; it’s simply a matter of who’s stronger.

Given that Bigby is just a couple steps short of godhood, that means only a few contenders can hope to face him and survive. A team-up of Rose and Totenkinder seems promising, and in fact the old Frau has Bigby on the ropes for a few panels. But even she is blind to Leigh’s part in all this, giving Bigby his second wind and comeback. The match ends in a draw, but it reveals how powerful Leigh has become—undeservedly, I should mention. Leigh is only this strong by virtue of her connection to Mr. Dark, not because she’s particularly formidable in herself.
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Daredevil #9 – Review

By: Mark Waid (story), Chris Samnee (art), Matthew Wilson (colors)

The Story: It’s true that children can really drive you off the wall.

The Review: For those of you who don’t know, I work in the dependency system as minors’ counsel—yes, my actual day job—so I have a soft spot for abused, neglected, or otherwise troubled kids. A lot of people say it’s hard work I’m doing, dealing with such emotionally trying issues from day to day, but in some ways, I find the job easy because unlike many attorneys, I rarely have difficulty feeling sympathy for my clients. It doesn’t take much for a kid to pull your heartstrings.

Fictional children get similar benefits, which sort of makes up for their lack of substance. Not like there aren’t any young characters as complex and memorable as adults (e.g., Huckleberry Finn, Scout Finch), but they just don’t have the same richness of experience. They see things simpler and more intensely than grown-ups, which is exactly the power exerted by the Purple Kids (which is what I’m calling them until Waid tells me otherwise) over the people around them. They have no agenda beyond fulfilling their immediate impulses, and no motivation besides subconsciously inflicting the pain they’ve suffered on others.
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Gotham S01E03 – Review

By: John Stephens (story)

The Story: And now for the less popular inflatable-themed song, “One White Weather Balloon.”

The Review: Last week, I described Gotham as a campy extravaganza closeted in straight-laced trappings. This week, it is more than halfway out, proving that its lineage runs truer to Adam West’s Batman than the Nolan films. At the best of times, the city’s a loony bin that requires a little charity to support its existence. But Gotham pushes your suspension of disbelief too hard when it creates a masked vigilante who punishes the corrupt by making them float away on weather balloons.

It’s funny just writing it out, but watching it in the cold open—the vigilante in a plastic pig mask tying the balloon onto a crooked financier’s wrist, then watching as the businessman floats slowly away, screaming at an increasingly distant volume, “Helllp meee!“—well, it’s pretty hilarious, in a I can’t believe I’m watching this sort of way.* It’s like Gotham jumped the shark in its third episode, and it sets a cartoonish tone that no amount of melodrama can move past.
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