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Guardians of the Galaxy #3 – Review

GUARDIANS OF THE GALAXY #3

By: Brian Michael Bendis (Writer), Steve McNiven, Sara Pichelli, John Dell (Artists), Justin Ponsor (Colorist)

The Story: As J-Son, king of Spartax and father to Peter Quill, is acting like a royal jerk, the team has to be rescued from captivity.

The Review: I had my doubts about this series. Being a huge fan of the previous volume, I just didn’t know if Bendis could pull the big cosmic ideas that Dan Abnett and Andy Lanning threw in each and every issues. Worse yet, he had changed a couple of elements that I loved from the previous iteration in favour of adding some elements that were most probably due to editorial demands more than anything. It’s easier to sell the book if Tony Stark is in it after all, with the character being one of the breakout stars from the movie universe they had created. I had tons of reasons to be wary of such a move on a property I loved.

Now, I’d like to tell you that this issue blew me away, that my fears were silly and that Bendis has a brilliant future ahead on this title, but that would be partly true. I am mitigated after reading the conclusion to the first arc, as there are several elements that work and some that just don’t. It’s a mixed bag of quality with some pretty nice things and some that just felt wrong to me.
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Daredevil: End of Days #8 – Review

DAREDEVIL: END OF DAYS #8

By: Brian Michael Bendis, David Mack (Writers), Klaus Janson, Bill Sienkiewicz, David Mack (Artists), Matt Hollingsworth (Colorist)

The Story: Timmy, Ben Urich’s son, has to learn how to cope with his father’s death as he tries to piece out just what his old man had been working on.

The Review: How easily could everything have failed…With the scope of this series and just what everything Bendis and Mack tried to do here, it could have been a dud, yet this is some splendid stuff. In short, if you believe yourself to be a fan of either Daredevil or Brian Michael Bendis, you need to read this issue, plain and simple.

What we get here is a love letter to the whole mythology behind Daredevil, referencing the story of the character, the influential run that cemented what the character is about and just how it could very well have ended. Bendis and Mack do their best in bringing in what people loved about Daredevil and they succeed, taking risks such as killing arguably the most important characters in the mythos: Ben Urich and Matt Murdock themselves. Yes, Ben Urich is dead and the story is told with Timmy’s viewpoint, who has been revealed to be the new Daredevil, the one that had been trained by Matt himself.
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Age of Ultron #9 – Review

AGE OF ULTRON #9

By: Brian Michael Bendis (Writer), Brandon Peterson (Artist), Carlos Pacheco (Penciler), Roger Bonet (Inker), Paul Mounts, Jose Villarrubia (Color Artists), VC’s Cory Petit (Letterer)

The Review: I’ll say this: Wolverine’s lucky that Doc Brown ain’t an Avenger. He’d have a few harsh words for the hairy canuck right about now, least of which would be “Great Scott!” Then again, perhaps it’s for the best. All Marty ever gave back was a “Gee, Doc!” as he gurned a weary frown; Wolverine would probably have gutted him from top to bottom with a “Stick that in your Flux Capacitor!” Either way, the Space-Time Continuum would still be stretched to breaking point…as may be your levels of patience and willing sense of disbelief at this point.
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Age of Ultron #8 – Review

AGE OF ULTRON #8

By: Brian Michael Bendis (Writer), Brandon Peterson (Artist), Paul Mounts (Color Artist), VC’s Cory Petit (Letterer)

Review: How crazy is Age of Ultron #8? “It’s insane. It’s—it’s a fantasia of insanity,” according to future/alternate Tony Stark. I’d say that’s pretty conservative. R Kelly would call it “crazier than a fish with titties.” Amanda Bynes would just do this. Though as good as those descriptions are, do any of them really do justice to the image of Morgana Le Fey flying into battle backed up an army of Dragon-riding Asgardian Doom-Bots!?!? Nah, not really. This ish is bugnuts.
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Ultimate Comics Spider-Man #23 – Review

ULTIMATE COMICS SPIDER-MAN #23

By: Brian Michael Bendis (Writer), Dave Marquez (Art), Justin Ponsor (Colors), VC’s Cory Petit (Lettering)

Review: Ultimate Comics Spider-Man is enjoying some well-deserved attention at the moment. And about time. It’s surely been one of Marvel’s best ongoing titles since…well, since #1 pretty much…and yet it’s hardly been given the same levels of praise and publicity as the company’s other top tier books – your Hawkeye’s and Daredevil’s. This is probably down to a combination of two things: 1) it has ‘Ultimate’ in the title, and 2) this Spider-Man ain’t Peter Parker. A shame, as it’s a consistently beautiful-looking book that draws the best from Bendis each and every month. With the last issue seeing an end to the Venom War storyline and, with it, the death of Miles’ mother, there’s been a surge of interest in the series that’s seen it hesitantly take centre stage. But it’s what it does under the spotlight that matters…and luckily this issue puts on a pretty good show.
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All New X-Men #11 – Review

ALL-NEW X-MEN #11

By: Brian Michael Bendis (Writer), Stuart Immonen (Penciler), Wade Von Grawbadger (Inker), Marte Gracia (Color Artist), VC’s Cory Petit (Letterer)

Review: The point’s been made by my fellow WCBR brethren that reviewing All New X-Men looks like an unenviable task. And they’re right. Not that it’s a bad comic; quite the opposite, as nearly a year in and I still find it to be one of the strongest all-round titles to come out of the Marvel NOW ‘situation’. Rather it’s the case that a lot of the time each issue feels filled to the brim with lots of great little moments between the many and varied members of its cast. Keeping track of all that over a few hundred words can get difficult, especially if you don’t want to make it look like you’re just transcribing the script wholesale. Woe is me, 1st world problems etc. I can deal. Once more into the breach dear friends…once more!
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Age of Ultron #7 – Review

AGE OF ULTRON #7

By: Brian Michael Bendis (Writer), Brandon Peterson, Carlos Pacheco (Artist/Penciler), Paul Mounts, Jose Villarrubia (Color Artists), Roger Martinez (Inker), VC’s Cory Petit (Letterer)

Review: Regular WCBR readers will know that I’ve been a staunch supporter of Age Of Ultron. Amidst the general criticisms that it’s been sluggishly paced or too low on action and characterisation, I’ve instead found it to be a well-plotted and atmospheric success that’s offered a welcome change in tone to the more overt histrionics of other Marvel event books. It’s been bleak but beautiful, the hypothetical death rattle of the Marvel Universe. But everything that’s occurred in those first six issues has really just been a set-up; a teaser playing up the eventual reveal of what happens when the past is definitively altered in a final act of desperation by the heroes of the present. With Ultron retroactively defeated, what exciting new world has Bendis created for us? If the Rabbit never existed, what now rests in the Magician’s hat? Well, it’s just the Magician’s hand. And he’s giving you the finger.
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Guardians of the Galaxy #2 – Review

GUARDIANS OF THE GALAXY #2

By: Brian Michael Bendis (Writer), Steve McNiven & Sara Pichelli (Penciler), John Dell, Mark Morales, Steve McNiven & Sara Pichelli (Inkers), Justin Ponsor (Colorist), VC’s Cory Petit (Letterer)

The Review: Something about Guardians of the Galaxy still seems a little…off. It’s definitely an enjoyable read but Bendis doesn’t quite seem as at home with space opera as he does with the more earthbound drama of books like All New X-Men, Ultimate Comics Spider-Man or (and I know this is a bone of contention) Age of Ultron. A big hint lies in that this, his first story arc, is centred entirely around Earth and its position of Universal importance. 2008’s GOTG crew never set foot on Earth once and was no poorer for it. The much maligned Green Lantern movie could barely slip the surly bonds of Earth and look how that turned out. When you’ve got an  entire universe at your disposal – a limitless expanse of planets and alien cultures for your cast to explore – ditching your characters on Terran soil at the first opportunity ends up feeling a little uninspired.
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Ultimate Comics Spider-Man #22 – Review

ULTIMATE COMICS SPIDER-MAN #22

By: Brian Michael Bendis (Writer), Sara Pichelli (Art), Justin Ponsor (Colors), VC’s Cory Petit (Letterer)

The Review: You may not have noticed but Bendis is putting out another event book at the moment, a small indie title called Age of Ultron about a robot looking for love in all the wrong places. It’s pretty cool, and I recommend you check it out if you’ve not already done so. But away from that side-project, Venom War rages on in the pages of Ultimate Comics Spider-Man; and it’s awesome. While it remains to be seen just how much of an impact AoU will have on its universe, Venom War marches confidently ahead, creating several key moments which are sure to echo down the halls of Ultimate Spider-Man continuity for an eternity. Or maybe not. After all, this issue does end with Miles’ tearing his costume to pieces and shouting “No more!”

Is that a spoiler? Not really. This aspect of future issues has been relatively well publicized by the cover to next month’s issue, a homage to the classic Romita ‘costume in a trashcan’ image from Amazing Spider-Man #50. And as interesting as that destination is, the more interesting thing is the action-packed, heart-wrenching journey that gets us there.
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Age of Ultron #6 Review

By: Brian Michael Bendis (Writer), Brandon Peterson, Carlos Pacheco (Artist/Penciler), Roger Martinez (Inker), Paul Mounts, Jose Villarrubia (Colorist), VC’s Cory Petit (Letterer)

The Review: If you’ve read every issue of Age of Ultron up to this point you’ve probably been in one of two camps. You may have been growing increasingly impatient with Bendis’ glacial pacing, begrudgingly putting down your $3.99 week after week hoping each time that this will be issue to get things moving. Alternatively you’ve enjoyed it every step of the way, have withstood the downbeat and malevolent mood and savoured a Marvel event book that’s employed more substance than style. Either way it’s been a bumpy, expensive ride with few signs pointing to how, if at all, its outcome will impact on the wider Marvel Universe. Age of Ultron #6 signals the beginning of the end of this journey, and it might just have managed to keep everyone happy into the bargain.

It covers quite a lot of ground. Ostensibly it’s the natural progression from last month’s cliffhanger; Nick Fury and a handful of the more powerful Avengers head into the future to confront Ultron while Wolverine goes into the past to kill Hank Pym (thereby circumventing the whole Ultron problem in the first place). Admirably, this issue really jumps into both storylines head first and there’s immediate outcomes presented on each front. And when I say outcomes…I mean deaths.

You could probably have guessed that Fury’s camp would suffer the most casualties. The dude almost drops his team straight into the meat grinder after all as they move from the Savage Land direct to New York (even time-travelling genocidal robots want a piece of the Big Apple it seems).  Now a gleaming technopolis devoid of human life, the city offers nothing but an ambush from thousands of flying Ultron heads and the Avengers are pretty much sitting ducks. They are, after all, just drifting in the wind thanks to Storm’s weather powers, and that can’t allow for much manoeuvrability. They get slapped around some and a major character literally loses his head – we may see a few Avengers captured and brought before a gloating Ultron before the series is up, but otherwise it looks like this particular plan has gone wronger than corduroy.
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Daredevil: End of Days #7 – Review

DAREDEVIL: END OF DAYS #7

By: Brian Michael Bendis, David Mack (Writer), Klaus Janson, Bill Sienkiewicz (Artists), Matt Hollingsworth (Colorist)

The Story: Ben Urich follows some more leads for the mystery behind the Mapone mystery and the secret of the newer Daredevil.

The Review: If there is one character that I always love to see Bendis write, it has to be Ben Urich. I do love how he always seems to go out of his depths in search of a story, while he seems to be always relatable and just plain interesting. This is a man that always get involved in the adventures of Daredevil, throughout the happy times, but mostly through the harder perils of the life of Hell’s kitchen protector.
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Age of Ultron #5 – Review

AGE OF ULTRON #6

By: Brian Michael Bendis (Writer), Bryan Hitch (Penciler), Paul Neary (Inker), Paul Mounts (Colorist), VC’s Cory Petit (Letterer)

Review: By issue count Age of Ultron #5 represents the halfway point of Marvel’s latest event story, even though it feels like it’s only just wrapped up the introduction. By the end of this chapter some of our heroes are winging their way to the future while some are headed to the past. Both share the same goal – the ultimate destruction of Ultron. You could argue (and many have) that Bendis has taken too long to get to this point, squandering the impact of a great idea in deference to a protracted bout of decompression, but I have to respectfully disagree. Without the punishingly grim nature and methodical plotting of this extended intro I don’t think the final page of this issue would have carried half the resonance that it does – and that final page is a doozy.
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Age of Ultron #4 – Review

AGE OF ULTRON #4

By: Brian Michael Bendis (Writer), Bryan Hitch (Penciler), Paul Neary (Inkers), Paul Mounts (Colorist), VC’s Cory Petit (Letterer)

The Review: It seems like patience may play a large part in how taken you are with Age of Ultron. Despite a pretty relentless release schedule the decompressed storytelling that Bendis has employed for the event is a sore point for some. Even though in this – the fourth issue – we’re still only inching towards a resolution, at least all the disparate plot-threads are finally tying together. With that in mind, and with the next issue signalling the end of Bryan Hitch’s stint on the book, I think we’re heading towards a satisfying end to AoU’s first act.
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Age of Ultron #3 – Review

AGE OF ULTRON #3

By: Brian Michael Bendis (Writer), Bryan Hitch (Penciler), Paul Neary (Inker), Paul Mounts (Colorist), VC’s Cory Petit (Letterer)

Review: This issue should hopefully pacify some of the haters. If you’re among the impatient few that felt that Age of Ultron #1 and #2 plodded along at an unbearably slow pace you should find that #3 delivers a relative bullet-train of forward momentum. Ultron doesn’t get his ass handed to him or anything, but the fight back begins here. Characters die, the conflict expands and a fairly massive twist rears its head (or torso, to be precise). Conversely, there are also a few things that happen that prove we perhaps shouldn’t take any of this series too seriously, as well as a couple of possible blunders in execution that remove you from the fiction in small but noticeable increments.
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Guardians of the Galaxy #1 – Review

GUARDIANS OF THE GALAXY #1

By: Brian Michael Bendis (Writer), Steve McNiven, John Dell (Artists), Justin Ponsor (Colorist)

The Story: Peter Quill meets his father and has an argument with him. After, he meets Iron Man and fights some Badoon.

The Review: Take a good look at the ‘’Story’’ section up above. This may sound like a very brief summary of what happens in this issue, which this section usually serves for, but unfortunately this is pretty much spot on what happens here, without spoiling the ending.

Indeed, one of the major flaws of this first issue would be the decompressed nature of the story, as Bendis really takes its time with a lot of things. Decompression isn’t necessarily a bad thing in comics, as some storylines can be enhanced by a longer structure and some emphasis on reaction from the core cast of the book. However, decompression can also seems like a cheap attempt at making a story that could be told in two to three issues longer, to fill out a trade, something that we also call ‘’writing for the trade’’. Now, this would be much too soon to properly classify in which category GotG will fall in, but judging from this issue, it would seem that the latter would be the correct answer.
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All New X-Men #9 – Review

ALL-NEW X-MEN #9

By: Brian Michael Bendis (Writer), Stuart Immonen (Penciler), Wade Von Grawbadger (Inker), Marte Gracia & Rain Beredo (Color Artists), VC’s Cory Petit (Letterer)

Review: My review of last month’s All New X-Men #8 was pretty awful; too many overly-long sentences and contrived compliments. Still, I blame it all on Bendis. After all, it gets difficult finding new ways to lavish praise on a book that’s still failed to put a foot wrong 8 issues in. Therefore it’s a little bit of a Godsend that #9 offers something of a hiccup. It’s not much of one, granted, but it’ll do.

So let’s get that criticism out of the way first: this issue does feel like something of a placeholder. The only characters whose story sees any concrete progression this month is the villains’, and even then they only appear on 4 of the book’s 20 pages (that’s 20%, stat fans). Irksome, yes, but a minor sin in the grand scheme of comics. I mean, I seem to remember 2009’s Cable series achieve the impressive feat of running for 25 issues without anything of note happening at all.
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Age of Ultron #2 – Review

AGE OF ULTRON #2

By: Brian Michael Bendis (Writer), Bryan Hitch (Penciler), Paul Neary (Inkers), Paul Mounts(Colorist), VC’s Cory Petit (Letterer)

The Review:  This’ll be a short review. Not because I’ve suddenly gained the ability to limit myself to sub-1000 word articles (I don’t think I’ll ever break that irksome habit), but rather because thanks to a dose of plot decompression there’s not much to add here that hasn’t already been covered in my review of Age of Ultron #1.

The same sense of despair, after all, is persistent. Even on the other side of America (this issue takes place in San Francisco) the outlook’s bleak. Ultron-Bots continue to ‘pacify’ the population while Black Widow scrambles over piles of dead bodies and Moon Knight snipes at violent looters from atop blown-out buildings. The two heroes were apparently caught off-guard by Ultron’s uprising while in the middle of a black-ops mission and are seen working together to locate a secure rallying point (a classic Fury hideout) and from there plan some payback.
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Daredevil: End of Days #6 – Review

DAREDEVIL: END OF DAYS #6

By: Brian Michael Bendis (Writer), David Mack (Writer/Artist) Klaus Janson, Bill Sienkiewicz, Alex Maleev (Artists), Matt Hollingsworth (Colorist)

The Story: Ben Urich gets saved by the new Daredevil and continues his investigation, this time trying to talk with some of the villains in Matt Murdock’ life.

The Review: It seems that Brian Michael Bendis is on fire right now. With his All-New X-Men being great, Ultimate Comics Spider-Man being still the best part of the whole Ultimate universe and set to debut Guardians of the Galaxy this month (for real, I mean, with a #1 issue), he seems to be on top of his game. He seems fully reinvigorated, with his writing skills just like when he started writing Ultimate Spider-Man and Daredevil.

How fitting it is then that one of his strongest inputs in years is his ode to the death of Matt Murdock. Having killed him right in the very beginning of the series, we have followed Ben Urich (probably one of the characters that Bendis handles the best) as he tried to solve the mystery of his death and of Daredevil uttering of the word ‘’Mapone’’. What started as a homage to Citizen Kane as Urich started to question the entourage and loved ones of Matt Murdock has quickly evolved into something else thanks to this issue, as it adds some new elements to the game that are handled quite well.
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Age of Ultron #1 Review

AGE OF ULTRON #1

By: Brian Michael Bendis (Writer), Bryan Hitch (Penciler), Paul Neary (Inker), Paul Mounts (Colorist), VC’s Cory Petit (Letterer)

The Review: Bleak: that is my one-word review of Age of Ultron’s opening salvo. Not in terms of quality, but certainly in terms of tone. Sure, from the hype and the previews I knew it wasn’t going to be a Short Circuit-style Rom-Com but I didn’t know it would get so dark so fast. By the end of the issue some or all of your favourite Marvel heroes are either beaten, broken or dead, and if not they’ve apparently been compromised to the core. Not even Squirrel Girl could magic them outta this mess.

Let me first make the case that I doubt the horror and dread of the story could have been captured with anywhere near the same levels of precision by anyone other than Bryan Hitch. It’s career-defining work. There are moments of shocking violence among landscapes wrought with devastation and ruin which are portrayed with such unflinching clarity that it’s almost too big an ask to reconcile this book with the Marvel Universe proper;  if you squint, you could easily mistake this for a long-lost first draft of Ultimates 3.
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All-New X-Men #8 – Review

ALL-NEW X-MEN #8

By: Brian Michael Bendis (Writer), David Marquez (Penciler), Marte Gracia (Colorist), VC’s Cory Petit (Letterer)

The Review: They should re-name All-New  X-Men the X-Postman – it always delivers (*cue comedic groans*). Every issue features something new and exciting to sling your way; not in some glib show-off manner that seeks to hold your attention with illogical, grandstanding curveballs but in packaging its characters’ motivations and developments in a series of brilliantly executed flourishes. The latest installment is no exception.

Bendis has often made the great decision to begin each issue by focusing on one character at a time, then expanding the book to a crescendo with a winning performance from an ensemble cast. He moves seamlessly from the personal to the public; sound reasoning indeed considering that the X-Men are comprised of such a strong cast that you can’t move for bumping into interesting individuals and the richly detailed relationships that connect them. That format is continued here, though in this issue he chucks in the proverbial kitchen sink too; as you can see from the cover, now the Avengers are getting in on the action as well.
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Guardians of the Galaxy #0.1 – Review

GUARDIANS OF THE GALAXY #0.1

By: Brian Michael Bendis (Writer), Steve McNiven (Penciler), John Dell (Inker), Justin Ponsor (Colors), Cory Petit (Letterer)

The Review: The following things will occur during the course of this review. First, I’ll obviously be giving my heartfelt opinion on Guardians of the Galaxy #0.1 – my treatise on the best flavour of Ramen Noodles will have to wait for now (in brief though: Chicken). Second, I will muse somewhat on how awesome it is to have Bendis back on such winning form – when he’s writing like this, the Marvel Universe is a much better place. Thirdly, I will use the term “cosmic restructuring” again and again and again – because this series is undoubtedly the keystone of that process, the linchpin of Marvel’s interstellar ambitions.

This cosmic restructuring has its beginnings elsewhere. Iron Man #6 technically kicked things off by relocating the Armored Avenger to Space (not that this changed much other than the landscape and the suit, but hey, it was a start). Nova #1, released last week, was far more integral to the
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Uncanny X-Men #1 – Review

UNCANNY X-MEN #1

By: Brian Michael Bendis (writer), Chris Bachalo (pencils & colors), Tim Townsend, Jaime Mendoza & Al Vey (inks), and Joe Caramagna (letters)

The Story:  An inside man approaches Maria Hill with an offer to help take down Scott Summers.

The Review:  One of the concerns I had about this book going in was the way it would differentiate itself from All-New X-Men.  Yes, I realize it wouldn’t feature the time traveling teens, but Cyclops and his gang have appeared quite a bit in that book such that having them star in this one seemed to be some serious overlap.  Thankfully, Bendis quickly dispels this concern.  It’s not so much that Cyclops team are front and center, which they are, but rather that the tone of the book has been subtly altered.  While part of it may be due to Bachalo’s artwork, with its muddy colors and its lack of distinct, clean lines (as opposed to Immonen and Marquez on All-New), the big reason for this is the subtle change in tone.  The book feels more shadowy, more “underground,” and a touch more edgy.  The humour isn’t there and the soap opera of All-New is shifted into something that’s a little closer to twisty, spy-thriller dramatics.  All-New is the above-ground, flagship story.  Uncanny is what happens beneath and on the revolutionary fringes that Cyclops and his team currently occupy.
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Ultimate Comics Spider-Man #20 – Review

ULTIMATE SPIDER-MAN #20

By: Brian Michael Bendis (Writer), Sara Pichelli (Artist), Justin Ponsor (Colors), Cory Petit (Lettering)

Review: When I look at the triumvirate of titles that currently makes up the Ultimate universe I can’t help but give thanks for Ultimate Comics Spider-Man. Brian Wood’s Ultimate Comics X-Men has me somewhat on the fence; on one hand I admire the courage taken in burdening its cast with such a dour outlook, but on the other I find it exasperating waiting for something – anything- truly exciting to happen. As for Sam Humpries’ Ultimate Comics Ultimates…well, the less said about that the better; alas, I’m down with the 1610 ‘til it – or I – suffer an inevitably gore-soaked death, and will plod along by its side loyally until then.

But Ultimate Comics Spider-Man is a different beast altogether. Brilliantly scripted by a revitalised Bendis and illustrated by a small rotating cast of top-flight artists, I’m hard-pressed to remember a time when a comic from The Big Two has consistently delivered the goods for this long.
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Daredevil: End of Days #5 – Review

DAREDEVIL: END OF DAYS #5

By: Brian Michael Bendis, David Mack (Writers), Klaus Janson, Bill Sienkiewicz (Artists), Matt Hollingsworth (Colorist)

The Story: Ben Urich continues his talk with the Punisher in The Raft and then meet some more people to learn about Matt Murdock and the meaning of the word ‘’Mapone’’.

The Review: This limited series is a dream for those who were fan of the Miller and Bendis/Brubaker era of Daredevil. Being a remembrance of those previous times, it is a stark contrast to the much more optimistic and upbeat comic that Mark Waid is writing, yet it is a fitting homage to those eras that is showcased here.

Indeed, much here seems like a trip to memory lane for the old fans, with all of the characters that had been recurring to the Hornhead. Bullseye, Elektra, Typhoid Mary have been already shown to us, demonstrating what kind of futures they would get in the world imagined by Bendis and Mack. Here, we get Punisher, Melvin Potter (The Gladiator, an old enemy of Daredevil that turned good in Miller’s run) and a bit about Foggy Nelson.
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All New X-Men #6 – Review

By: Brian Michael Bendis (Writer), David Marquez (Artist), Marte Gracia (Colorist), Cory Petit (Letterer)

The Review: There’s something about this issue that feels just right. I think it’s a sense of everything starting to feel a bit more comfortable, of everything and everyone slotting into place. If we use a ‘Moving House’ analogy, the first 5 issues were the difficult bit; hefting the sofa, fridge and countless long boxes onto the delivery van and unloading them into your new digs. Now everything’s unpacked, the beds are made and (despite your girl’s best efforts) the Hot Toys have set up shop on the mantelpiece once again. Now it’s time to start living here. Of course, it’s also the time you start finding out that the heating is on the fritz and your next door neighbour has just started learning to play the drums…

Now the initial confrontation with Scott’s brotherhood is out of the way and the decision’s been made to stay and sort out the future, the original X-Men are settling into the 21st century, taking their first tentative steps towards building relationships with their modern counterparts. So far Hank’s situation has been fairly well documented and Iceman’s has been relegated to the (admittedly funny) joke of perpetually annoying his older self. As such, this issue largely focuses on Jean and Scott, with Angel getting a bit of time in the spotlight near the end.

For Jean this represents an internal struggle. As in, right inside her head. With her telepathic powers still blooming and causing nothing but torment, Kitty Pryde steps in to help mentor her in how to assert some control. They’re affecting scenes as they’re played out with a good deal of empathy between the former/future team mates; Kitty’s become a kind of elder statesman for the X-Men at this point and Bendis imbues her position with a pitch-perfect sense of humility. Rounding things off is a diplomatic (though slightly stiff) Storm who gently announces Jean as the de facto leader of her displaced team. It’s a winning display of Girl Power from some of Marvel’s most powerful ladies and it’s nice to see this side of things play out so maturely…

….because really, the guys were never going to play that nice. Still, Cyclops, what did you expect? Stealing Wolverine’s bike, cash and jacket was never going to end well. Bendis has given little tastes of the continued friction between the two leading X-Men but the relationship plays out on a bigger stage here. Having taken his leave of the school and its hostile, alien environs, Scott decides to take a trip into town with the aforementioned appropriated goods. It’s not long before Wolverine tracks him down and, following some terse words and faltering attempts at talking about feelings, the optic blasts and Adamantium claws soon get to popping. The hostility between Cyclops and Wolverine is one of the most enduring and entertainingly antagonistic relationships in comics and it is no less so under Bendis’ control. It’s also heartening to see that even when Summers is a snot-nosed, gangly, pre-pubescent kiddy-wink, Wolverine still wants to open him up like a tin of beans. Awwwwww.
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