
by Jonathan Hickman (writer), Olivier Coipel (penciler), Mark Morales (inks), Laura Martin (colorist), and Chris Eliopoulos (letterer)
The Story: The Phoenix Five begin to reshape Earth; the Avengers make a daring raid on Utopia to snatch Hope.
The Review: I’ll admit that after last issue, I thought AvX had jumped the shark. As a result, I was pretty worried when I started reading this issue. Instead, against all odds, I had a reason to be excited.
Hickman has done some great work here with the Phoenix Five. What we get is a story of gods among men and the resulting intersection and conflict between the two. The result is a story that is much smarter, more meditative, and more global and nuanced in nature. AvX has suddenly become a whole lot more than Avengers and X-Men punching each other. Better still, Hickman muddies the waters at just how godly the Phoenix Five really are and the extent to which they are merely mortals gifted with godly powers. The result is that the intersection/conflict isn’t just between gods and men, but also between the godly powers of the Phoenix Five and their human/mutant cores.
The result is a strange sort of antagonist: their acts are amazing and philanthropic, and yet they feel so alien that you can’t help but find them somewhat sinister. Scott only continues to be more disturbing; while he acts and talks like a god, he still carries that vengeful chip on his shoulder. This leads to scenes where he’ll drop his godly guise and seem like…Scott, with powers he shouldn’t have. There’s also an especially strong scene where Scott plays the nasty, biblical God: teasing and tempting Hope only so he can chide and reject her for her lack of blind faith in some form of sadistic “test.” For all the good the Phoenix Five do, it’s the hints like these that Hickman uses to suggest that men cannot and should not be gods.
Olivier Coipel’s art refreshes AvX just as much as Hickman’s script does, if not moreso. While Romita Jr. truly was doing his best, Coipel blows him out of the water. Coipel is everything you expect out of a “big event” type book, with an incredible sense of scale and drama and a polished, “big budget” feel to his work. His art goes a long way to rejuvenating AvX and making the book an exciting one.
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Filed under: Marvel Comics, Reviews | Tagged: Alex Evans, Avengers, Avengers Vs X-Men, Avengers vs. X-Men 6, Avengers vs. X-Men 6 review, AvX, Captain America, Colossus, Comic Book Reviews, comic reviews, Cyclops, Emma Frost, Hawkeye, Hope Summers, Iron Fist, Iron Man, Jonathan Hickman, Magik, Magneto, Marvel Comics, Marvel Universe, Namor, Olivier Coipel, Phoenix, Phoenix Five, Phoenix Force, Professor Xavier, Scarlet Witch, Scott Summers, Thor, Utopia, Weekly Comic Book Review, Wolverine, X-Men | 5 Comments »







I don’t know how J. Michael Straczynski does it. Every issue so far has been nothing but a slowly stewing plot in which we get a lot of story, but relatively little development. There has been very little action, and it seems that Thor is getting even less “screen time.” But despite all this, and perhaps because of it, Thor continues to be one of my favorite monthly reads, if not my favorite monthly read in general.
Anyone who needs convincing that Thor is one of Marvel’s most entertaining series needs to pick up this issue. Here J. Michael Straczynski delivers a story mostly about the supporting cast, but one so well done that I didn’t really miss Thor. The story begins as Loki attempts to work her deceit on Balder, as she begins to scheme her way into starting rebellion against Thor. I must say, especially with the surprising reveal at the end, she may succeed. And while I do not want her to “win,” watching her plan unravel in this issue (as well as the build up of the last several issues) shows that her schemes can be just as impressive and entertaining as Red Skull’s master plan currently in Captain America. (Not to mention that it is further proof of JMS’ strength and grasp of writing this series!)
At last! The showdown we’ve been waiting for: The town meeting in Nebraska! As short as it is, we’re treated to a bunch of laughs and comedic dialogue. From there, we’re shown how the people in this rural town have interacted their new “neighbors”. It’s a series of short, intimate moments that brings a lot of humanity to the story.