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Ultimate Comics The Ultimates #24 – Review

By: Sam Humphries (Writer), Joe Bennett (Penciler), Ruy José (Inker), Matt Milla (Colorist), VC’s Clayton Cowles (Letterer)

Review: I’ve taken a l’il sabbatical from my Ultimate Comics Ultimates review duties of late. Partially this is the fault of Bioshock Infinite and Injustice: Gods Among Us – both of which give Heroin and Marshmallow Fluff a run for their money in the addiction stakes – and also because I thought it best to give Sam Humphries a break. Most of his issues I’ve…well, ‘savaged’ is a strong word. I’ve ‘lightly rebuked’ them? Yeah, that sounds better. However I honey-coat it though, here’s the main gist; this has not been a good run. At its best Humphries’ Ultimates has read like a parody comic flirting dangerously near Robot Chicken territory while at its worst it’s been one of the most depressing uses of a Marvel licence since *dry-heaves for a few minutes* that Hasselhoff Nick Fury film *vomits all over his keyboard*.
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Ultimate Comics Ultimates #22 – Review

ULTIMATE COMICS ULTIMATES #22

By: Sam Humphries (Writer), Joe Bennett (Penciler), Ruy José (Inker), Matt Milla (Colorist), VC’s Clayton Cowles (Letterer)

Review: I have trouble sleeping some nights. It’s this recurring dream I have: every comic writer I’ve ever trashed in print lines up and takes turns kicking me right in the nuts. On and on it goes. Brian Wood’s been getting a few jabs in there lately. Joe Keatinge nearly took ‘em clean off the other week. But even in the grip of deep sleep my body physically convulses when Ultimates writer Sam Humphries steps up to the plate; by Christ, that man must be able to power a Pedalo at an impressive rate of knots with those well-developed calves. And that’s not even the half of it. I always know that at the back of the queue stands Jeph Loeb, a &$@!-eating grin on his face and steel-toed,  rocket-powered boots on his feet. Bring it on Loeb, I’ve had worse; I read Ultimatumtwice.
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Avengers #34 – Review

By: Brian Michael Bendis (story), Brandon Peterson,  Mike Mayhew, Jim Cheung, Leinil Yu, Mark Morales, Mike Deodato, Olivier Coipel, Terry Dodson & Walter Simonson (art), Scott Hanna & Rachel Dodson (inks), Jason Keith, Laura Martin & Paul Mounts (colors), and Cory Petit (letters)

The Story:  The Avengers work to escape the microverse after one more big fight with centaur kingpin Lord Gouzar.

The Review:  I’m a big fan of Bendis and, as such, I’ve stuck with his Avengers books for a long, long time now.  Suffice it to say, it’s been a rocky road with highs and lows.  With that said, he’s done a lot for the franchise and so I really do wish I could give a glowing review for this giant-sized farewell issue.  I mean, the sheer amount of heart he puts into his lengthy farewell letter at the end of the issue makes me really want this issue to be a great one.  But it isn’t.

Quite honestly, it’s been pretty clear for a while now that Bendis perhaps overstayed his welcome on Avengers; ideas were being recycled, certain issues felt phoned in, and this issue really only evidences that fact.  Everything just feels so derivative and phoned in that it’s hard to believe much passion and effort went into its creation from Bendis.  Given how sincere his farewell letter was, you’d figure that he’d really try to blow us away with this issue, but perhaps he just doesn’t have it in him anymore.
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Avengers #33 – Review

by Brian Michael Bendis (story), Terry Dodson (pencils), Rachel Dodson (inks), Jason Keith (colors), and Cory Petit (letters)

The Story:  The Avengers try to save the Wasp from Lord Gouzar and leave behind the Microverse once and for all.

The Review:  Comics like this are really frustrating, particularly when it comes to reviewing, let alone grading them.  What the hell do you do with a comic that is so perfectly inoffensive?  Bendis and the Dodsons give us that this month, providing us with an issue that is completely passable on every front but not a whole lot more than that.  There’s not a lot to praise, but there’s also nothing to really gripe about either.

That being said, in giving us a by the numbers “fun” Avengers story, it can definitely be argued that this issue feels a bit like comfort food.  It’s archetypal “big” superhero comics and everything is adequately and professionally done.  As such, it’s a nice, easy read and a fun way to pass the time, without causing any real irritation or frustration.

At the very least, Bendis gives us a nicely balanced comic here – there’s a good amount of action, plot progression, snappy dialogue, and humour, as well as genuine emotion in the reunion of the Pyms.  Overall, it’s a fairly rounded experience that never drags.
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Avengers #23 – Review

by Brian Michael Bendis (writer), Daniel Acuna (art)

The Story: Daisy to the rescue!

The Review:  I’ve gone on at length in previous reviews of this book and New Avengers about the ill-conceived, half-baked nature of the HAMMER War.  Put simply, it’s dumb, it doesn’t make sense, and the concept falls apart at its base level the moment you take a step back and take a real look at it.

However, as a mainstream superhero comic, there is at times a balance that has to be struck between fundamental flaws like these and, well, fun.  Thankfully, this issue of Avengers is more tolerable than those previous in this story because, with the story now in full swing and reaching its climax, Bendis is able to bore full speed ahead, moving past the puzzling and illogical elements of the plot, even ignoring them, focusing instead on intense action, great artwork, big stakes.  The result is a comic where the fun to be had outweighs the more troubling aspects of the overall narrative concept and, as a result, you probably won’t notice or think about them anywhere near as much.  The comic moves at such a brisk pace with so much fun and action to be had that it doesn’t really give you time to stop and ruminate on the HAMMER War’s general failings.  The result is a much more enjoyable comic.

Granted, it’s really helped along by Daniel Acuna’s art, which takes the comic to a whole different level.  His work is gorgeous and he has a tremendous handle on tone and mood.  His work, particularly his gorgeous colours, capture and enhance the particular emotion that is prevalent in each scene and the result is a much more resonant comic.
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Secret Warriors #23 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), IFS (color), and Joe Caramagna (letters)

The Story: John Garrett tells Druid he’s not done and trains him to reach his true potential.

What’s Good: It’s great to see Sebastian back.  He was always my favourite of the Caterpillars, as I found him to be likable and the most relatable.  He’s a cool character with a lot of untapped power and I’ve been looking forward to this issue ever since Alexander’s prophecy about him being a great hero.

And really, watching the transformation process here is a treat.  It’s really fun to see Druid go from portly, incompetent dude to spec ops badass.  Jonathan Hickman also pulls no punches when it comes to Druid’s power levels here; once trained, he does some truly amazing, “holy shit” type stuff.

The bond between Garrett and Druid is also a good one and happily fulfills the always-enjoyable gruff teacher/student lacking self-confidence dynamic as Garrett cuts to the heart of Druid’s psychology.  In many ways, I think Druid’s story here is wish fulfillment for many readers here.  Hickman’s work has often been about defying limitations, and while these limitations are often cosmic in scope, here we see him applying the same message to personal limitations.  Basically, if you want to be in shape, work out.  If you want to be good at your job, apply yourself.  And if you want to be a badass, learn to believe in yourself.  It’s the sort of message, and narrative, that is easy for a reader to get behind and it’s hard not to love Druid even more afterward.

Alessandro Vitti delivers what you’ve come to expect from him, and his depiction Druid’s power is impressive.  More than that though, I was especially impressed by Vitti’s depiction of Druid’s physical transformation.  After his training, he’s not ripped or anything, but it’s clear he’s a different guy and that he’s in shape.  Despite that though, Vitti makes it clear that the character is still most definitely Sebastian.  It’s no mean feat to so dramatically change a character’s body type while keeping him completely recognizable.
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Secret Warriors #22 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), IFS (colors), and David Lanphear (letters)

The Story: Nick Fury and the Secret Warriors try to make good their escape from a soon-to-explode Gehenna.

What’s Good: I’ve made it no secret that the Night arc has been dismal thus far and a low-point for the series as a whole.  It made me question whether Hickman had let the series get too unwieldy for him to control and I couldn’t help but worry that we were heading to an unsatisfying, possibly haphazard ending.  Thankfully, Hickman does his very best to right the ship this month and ends up churning out a very good issue of Secret Warriors, one that’s probably better than it had any right to be.

Hickman makes the wise decision of letting his character’s emotions take center-stage over the fighting and running.  What results is a comic that steers far clear of the mediocrity that it could have fallen into.  Instead, we have a book that’s sincere and, for the team, traumatic.  Daisy and Nick’s reactions to Alexander’s death last month are simply expressed, but effective and the bonds between these kids are emphasized even under these hectic circumstances.

What really steals the show this month, however, is an event that is absolutely shocking, perhaps one of the biggest jaw-droppers in a series that’s been full of them.  I won’t even hint at what it is, but suffice it to say that Hickman writes a very tense scene and conversation that leads us one way, before dropping us in the complete opposite direction.  Nick Fury has never been more of an ice-cold badass and Jonathan Hickman has balls of steel.  This was the most shocking moment of any comic I’ve read this month, and I’ll leave it at that.

But it’s not just this one scene that carries the comic; much like his new issue of Fantastic Four, Hickman actually gets a lot done this month, story-wise and at a perhaps uncharacteristic speed.  JT’s betrayal of the team reaches its head and, perhaps, its resolution and the fate of Gehenna is decided.  Meanwhile, very interesting new plots are opened up: Daisy is placed in a very tough emotional situation and a power struggle for HYDRA’s top spot looks to begin, as Baron Strucker takes a stiff left hook.
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Secret Warriors #20 – Review

by Jonathan Hickman (writer), Mirko Colak (art), IFS (colors), and Dave Lanphear (letters)

The Story: The series’ conclusion looms in site as Nick Fury initiates the assault on Gehenna.

What’s Good: Jonathan Hickman does a solid job this month of establishing the scope of the current status quo in Secret Warriors.  As things come together, it is abundantly clear that there is a war going on, and it’s huge, finally exploding outward in a big way, no longer capable of being kept in the shadows.  Everything that’s made the series all cloak-and-dagger boils over in a big way.

Mirko Colak’s art does in many ways help to establish this feel.  The opening few pages are haunting in the gravity of the destruction they convey.  There’s a disquieting sense of silence and desolation despite the explosions illustrated and a grim, desperate feel throughout.
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Dark Avengers #9 – Review

By Brian Michael Bendis (Writer), Mike Deodato (Art), and Rain Beredo (Colors)

Some Thoughts Before The Review: With Utopia out of the way, I fully expect Dark Avengers to get back to being a favorite of mine. With a kick-ass cover and the promise of a guest appearance from Jonathan Hickman’s Secret Warriors, it’s a pretty safe bet that Dark Avengers #9 will deliver.

The Story: Ares discovers that his son, Phobos, isn’t exactly heading off to school during the day. Meanwhile, something strange is going on at Avengers Tower while some of the Dark Avengers chat it up about funny heroes.

What’s Good And What’s Not So Good: Before I really get into the review, I have to first toss out a quick suggestion: Do yourself a favor and try to ignore the cool image on the cover of Dark Avengers #9. While Ares goes on a little rampage and some stuff is destroyed, Brian Michael Bendis (I almost want to say, “as usual”) opts to let dialogue do almost all of the work in the latest issue of Dark Avengers. Is this a bad thing? Turns out, it’s not at all.

Bendis’ decision to let words bring resolution to an explosive situation works extremely well because of how the scene plays out. It gives the characters involved a little extra depth and goes a long way towards humanizing a character that, most recently, has been little more than muscle in superhero battles. I do, however, have one major issue with the dialogue in regards to how Phobos is portrayed. Bendis handles him as though he is a normal kid afraid of his father. While that works as far as what’s happening is concerned, Bendis’ take on Phobos seems to go against what Jonathan Hickman is doing with the character. It’s hard to really call what Bendis does a negative, but it is something that must be mentioned.

So the Ares/Fury/Phobos scene is pretty great. Thankfully, the rest of the book doesn’t disappoint. The exchange at Avengers Tower is something really close to hilarious, and the weird stuff happening left me thinking “WTF!?” in a good way. In short, it’s clear that the series is back on track and I really couldn’t be much happier. That said, I do wish that the Dark Avengers would stop being stuck as the supporting characters in their own series. I buy Dark Avengers to read about the Dark Avengers damnit…

The artwork in Dark Avengers #9 is, as expected, moody, gritty, and impressive all around. The unfortunate thing is that there really isn’t a whole lot of ways for Mike Deodato and Rain Beredo to show off given the script. The characters look good and the emotion on display certainly works, but it’s clear that neither artist is really being put to the test.

Conclusion: Dark Avengers fans… it’s safe to come back to the series now.

Grade: B+

-Kyle Posluszny

Secret Warriors #5 (Dark Reign) – Review

By Brian Michael Bendis & Alex Maleev (Creators), Jonathan Hickman (Script), Stefano Caselli (Art), and Daniele Rudoni (Colors)

Some Thoughts Before The Review: I’ve made no secret about how much I love what at Bendis, Hickman, Caselli, and Rudoni are doing with Secret Warriors. Their series is good, very good…and it looks to get even better as time goes on.

The Story: Nick Fury and his Howling Commandos infiltrate and attack a H.A.M.M.E.R. dock in order to some nab some helicarriers. There’s one problem…Kraken, one of the heads of HYDRA, knows of the plan.

What’s Good: If you can get past one glaring issue (which I’ll get to), you’ll have one hell of a time with Secret Warriors #5. It looks incredible most of the time and reads far better than most action heavy comics as the Howling Commandos, Hydra, and H.A.M.M.E.R. collide on a former S.H.I.E.L.D. dock. In short, the latest issue of Secret Warriors is a great example of a creative team at the top of it’s game.

Jonathan Hickman does a superb job of handling the dialogue for the Howling Commandos (especially Fury and Dum Dum Dugan) and the heads of Hydra. With the Commandos, Hickman writes them in a way that makes you truly get a feel for who they are (as a group) and what they stand for. Gruff, dedicated, and no-nonsense, you’ll have little difficulty buying into the idea that the Commandos actually have a shot at getting away with the Helicarriers despite the thousands of troops manning the dock. As for Hydra, Hickman shows that he has it in him to really establish Hydra as a true threat. The brief Hydra meeting is chilling and does a nice job of setting the tone for how dangerous the heads of Hydra truly are.

There’s a whole lot to like about what Stefano Caselli and Daniele Rudoni deliver in Secret Warriors #5. The characters look great and the action is fast, fluid, and frantic in all the right ways. The highlight though, is easily the true introduction of The Hive. The segment that shows the head of Hydra doing, well, what it does, is insanely cool and slightly disturbing (in a good way).

What’s Not So Good: So… That glaring issue I mentioned early in the review? It’s that the Secret Warriors are given exactly one page in the latest issue of their series. While it’s great to see Fury, Dugan, and the heads of Hydra duke it out, I still feel as though the titular Secret Warriors have been woefully underdeveloped. The first arc of their series ends with the next issue and I barely have their names straight, let alone their team dynamic or final roster. While Jonathan Hickman’s storytelling/character decisions are far from crippling, they are still somewhat annoying considering that, five issue in, his cast of unknowns remains a cast of unknowns.

Conclusion:
Lack of Secret Warriors aside, the latest issue of Secret Warriors delivers the goods. I highly recommend it!

Grade: B+

-Kyle Posluszny

Secret Warriors #3 (Dark Reign) – Review

By Brian Michael Bendis (Story), Jonathan Hickman (Story & Script), Stefano Caselli (Art), and Daniele Rudoni (Color Art)

Some Thoughts Before The Review: To simply say that I was looking forward to the launch of Secret Warriors would not do my anticipation for the series justice. A quick look through the “Best of ’08″ feature will reveal that Secret Warriors is being worked on by what pretty much amounts to my personal creative dream team of sorts. And let’s not forget that Nick Fury is one of the main characters… Always a good thing. So since I didn’t review the first two issues, let me just say that I’m loving the series so far and can’t wait to read more.

The Story: The team’s assignment is to head to a shadow S.H.I.E.L.D. psi-agent processing and quarantine facility to make sure Hydra doesn’t get any hands on the vital assets kept there. Unfortunately for Fury’s “Caterpillar” team, the Hydra group targeting the S.H.I.E.L.D. building happens to include the recently resurrected Gorgon. Meanwhile, Nick Fury takes some time out in order to have dinner with an old flame.

What’s Good: Intensity. Only a few issues in and I can comfortably say that nearly every Secret Warriors panel is loaded with it. From the tight writing to the moody, kinetic artwork, no other series brings intensity to the reader so damn effectively. And Secret Warriors #3 may be the best issue yet.
Jonathan Hickman’s slick script is packed with sharp dialogue and great character work. It really is that good. I truly believe you are going to have a tough time finding a more gripping read this April. A particular scene worth noting is the chilling moment between Phobos and Gorgon.  The scene really drives home the type of villains the Secret Warriors are facing. In addition, the dinner scene featuring Nick Fury is prime example of what makes him such a memorable character.
As for the artwork, Stefano Caselli and Daniele Rudoni absolutely knock it out of the park for the most part. The characters are full of emotion and the action absolutely jumps off the page. I do have one complaint though…

What’s Not So Good: If Secret Warriors #3 has any flaws, they have more to do with something the creative team has to overcome as opposed to anything that’s wrong with the individual issue.  For example, since Fury’s team is made up mostly of a group of unknowns, the characters carry around a bit of baggage.
Furthermore, I have found that the battle scenes tend to be a bit confusing, as discerning powers and keeping up with the frantic pace set by Caselli’s artwork can occasionally be a bit frustrating.  In Secret Warriors #3, I definitely found myself trying to decipher an action panel or two.   Also, Phobos, Quake (Daisy), and Hellfire (J.T.) are really the only three team members I feel I know anything about. I thought by now I’d have a better grip on the team as a whole. A small complaint considering how great most of the cast is, but worth mentioning regardless. I’m sure everyone will be fleshed out soon enough, but as of now I can’t help but feel as though some of the character development is a bit lacking.

Conclusion: I highly recommend Secret Warriors #3. And while I wish a few of the growing pains would go away, they do little to detract from the quality of the issue. In this reviewer’s opinion, if you aren’t reading Secret Warriors, you’re missing out on a potential “series of the year” candidate.

Grade:  A-

-Kyle Posluszny

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