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X-Factor #237

By: Peter David (story), Neil Edwards (pencils), Karl Kesel (inks), Rachelle Rosenberg (colors)

The Story: So, Rahne isn’t exactly feeling her best, having vomited up the child of a wolf-god and disowned it (the merry things that happen in X-Factor). To try and get her to feel better, Polaris and Banshee take her to see John Maddox, the priestly dupe of Jamie. You know…it’s one of those light and fun issues!

The Good: In all seriousness, yes, Peter David can bring very lighthearted and fun issues of X-Factor to us when the moment calls for it. He can give us high octane awesomeness with grand fights, when the moment calls for it. Sometimes, the moment is not about seeing the team beat the crap out of something, or go to Vegas to save a troll (now THAT was fun!). Sometimes you need to get serious, and that’s what #237 does–it gets serious.
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X-Factor #236 – Review

Written by Peter David, Art by Leonard Kirk, colors by Matt Milla

The Story: Shatterstar in a fight that is more awesome than anything he’s been in for the last ten years. Awesome.

The Review: (This won’t take long) I read, through Peter David’s twitter feed, a review that called this issue a “return to form” for the series. That is a fallacy—to me, they must not have been reading the same series I have for the last 5 years. This is not a return to form. This issue of X-Factor is simply has more awesome than the standard amount of awesome that Peter David always brings us. The only times I’ve ever really felt that X-Factor wasn’t a top notch series was when they assigned a subpar artist to the series. I can’t remember the artist, but it went through an “amorphous blob” phase that couldn’t end too quickly. But thankfully, those issues are not present here at all. In fact, Once the fight kicks in, you become very appreciative of Kirk’s art. I always feel bad describing an artist to other artists, but Kirk’s art is like the marriage of Dodson and Deadato, and, continuing with the point of this review, it’s awesome. I love that the more brutal the fight gets, the more skewed the panels are. Never to the extent of what Deadato does, but if it were, it would be too much like another artist and not Kirk’s own thing. In fact, the fight is so well drawn and written that it’s not until after Scattershot reveals who he is and who he’s working for that you realize you didn’t even need to know that—but now that you do, it’s even more awesome! David answers questions you didn’t even know you were supposed to be asking.
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X-Factor #232 – Review

Written by Peter DavidPenciled by Emanuela Lupacchinoinked by Guillermo Ortegocolored by Matt Milla.

The Story: What’s behind Death #3? Well a New York City in Hell of course!

The Writing: All I should have to say here is “Peter David” and then move on. I’ve been reading comics for 6 years now, and I can honestly say that the only title I have never removed from my list has been X-Factor. Maybe it’s the fact that even if it’s dealing with parallel dimensions, cyborgs, wolf-gods, time travel, and magic, there is always an undercurrent of Noir running through it that makes all of these really bizarre stories able to link together. Take this latest arc–”They Keep Killing Madrox;” in order for Jamie to explore a new dimension and possibly find his way home, he has to keep dying (yeah, not much of spoiler when it’s the title). That’s mutant Noir all right. And every time he does die, the next reality is even worse than the one he came from. And even when he’s looking at a New York overrun by Dormammu, he still acts and fights like a private eye. Hell, he uses a shard of a Cyttorak band as a shank! You can throw a Deathlock-Captain America, a mutant-hunting Iron Man, a very angry wolf creature, or even a sentinel at Madrox–in his head, he’s still in a Raymond Chandler novel.  Even when Strange is…assisting him…he picks up Madrox’s tendencies. The odd thing is, that makes David a genius, is that Noir isn’t really supposed to be fun. It can be cool. Like, The Dark Knight is a “cool” movie, but calling it fun wouldn’t be quite right. It’s too stressful, too serious. But X-Factor, as Noir and cool as it gets, is a really damn fun book to read. It’s like David is using the superhero trope to create a humor for Noir that hasn’t been explored before. And if you’re like me and teach literature, that sentence should have blown your analytic mind! Now, without giving too much away, when it came closer to the end, I started feeling like–given Madrox’s usual luck–things were too easy. It starts wrapping up too cleanly. Until the last panel and the opportunities presented should deliver some wonderful fun. Six years–it’s not that I subscribe to X-Factor–I subscribe to Peter David.
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White Down to Metal Tuft: A Look at the X-Men’s Angel

Angel - by Alex Ross

Angel - by Alex Ross

Warren Kenneth Worthington III, aka, Angel, has been a mainstay character of the X-Men series since its inception. The spoiled rich kid who was used to getting everything he wanted fleshed out the original five X-Men nicely, not only sharing witticisms and wisecracks with the Beast and Iceman but creating the first love triangle between Jean Grey and Cyclops.

Although there have been many changes to his character over the years, including moving onto other comic adventures in The Defenders and The Champions, it is the reunion of the original X-Men team in X-Factor that changed Warren the most; turning him from jovial playboy to a brooding harbinger of death.

So with the return of this dark personality in the pages of the new X-Force, lets go back to that first life changing episode and understand the depth of Warren’s struggle as The Archangel.

The Mile High Club

Angel in X-Men # 25

Angel in X-Men # 25

“How can I explain to any earthbound being… even a mutant the indescribable joy of flying? This is why I was born to soar… to feel the air racing by my wings!” (X-Men #26)

The original X-Factor series brought together the first students of Xavier’s School to continue the Professor’s dream of helping mutants to control their powers for the betterment of society. The setup was disingenuous, though, as the team posed as a mutant hunting organization while in reality locating new gifted youngsters and taking them under their wing. The entire project was funded by Worthington, with long-time friend Cameron Hodge serving as publicist and lover Candy Southern as financier.

Angel and Booby talk about Women in Uncanny X-Men # 289

Angel and Iceman - Uncanny X-Men # 289

When the Marauders began to massacre the misshapen mutants known as the Morlocks in the sewers beneath Manhattan, X-Factor sprung into action to save their fellow homo superiors. Tragically, Angel’s wings are savagely pinned to the sewer wall by the energized harpoons of the dully named Harpoon. Warren is eventually saved and returned to X-Factor by Thor who recognizes Angel from his days as an X-man. The ordeal leaves Warren in St. Vincent’s hospital on his deathbed.

Suddenly, Warren’s world begins to fall apart around him. His financing of X-Factor Investigations, the supposed mutant bounty hunters, is openly revealed which raises questions of why a mutant would fund such an organization and launches a government investigation into possible fraud of Worthington Industries shareholders and the public. The only person able to save his business and investments from going under leaves him. And most tragic of all, the only way to save his life is to amputate his gangrenous wings.

X-Factor # 12

X-Factor # 12

“No! I’m the Angel– now and forever! I’d rather die than lose my wings!” Warren replies. Unlike other homo superiors whose powers reside internally and covert to most, the Angel’s mutation are external appendages that exist extraneously from his body. To sever his wings is to cut off his mutant identity. Integral to his ability to be an X-Man and moreover a superhero is the ability to use those wings. To be without them is a kind of poverty, a personal lack of value and ability to recover from it. He is useless and ashamed, and suddenly what he was born to do is no longer a possibility. Therefore, for Warren it is better to die than never feel the airs race beneath his wings.

Furthermore, amongst superheroes flight is a rather unremarkable attribute and more to the point unattributed to any particular appendage. Would Superman fly without his feet? Or the Sentry? Certainly Iron Man or any other technology based superhero could not fly without their devices, but such things can be repaired. Flesh and bone not so much.

Unfortunately, Warren’s supposed friend Cameron Hodge gets a court order to undergo the operation against his will. The surgery leaves Warren emotionally scarred beyond his own comprehension. Trying to recapture that “indescribable” joy of flying, Warren jumps on his personal jet and takes off into the sky… only to blow up in mid-air.

To the Brink of the Apocalypse

The Man in the Mirror- Uncanny X-Men # 289

The Man in the Mirror- Uncanny X-Men # 289

“It’s all in your self-image. Just because your wings were surgically removed and Apocalypse regrew them into the blades of death is no reason to spend the rest of your life sulking.” (Uncanny X-Men #289)

Thanks to Apocalypse, Warren survived the explosion, orchestrated by Hodge to kill him and make it look like a suicide. The technologically advanced Social Darwinist rebuilds Worthington into his last horseman, Death, and gives him the precious gift of flight once more. But this doesn’t come free and Warren serves as Apocalypses high-flying hand of doom. From his new metal wings he can rain down barrages of blades at his enemies and fly at speeds never reached before.

But he is no longer the heroic figure he once was: inside him burns a seething rage and thirst for blood that is manipulated by the hand of Apocalypse. Together with the other horsemen, Warren will build a new world out of the strong who survive the Pestilence, the War, the Famine, and Death!

That is, until Warren seemingly kills Iceman, breaking free of the evil social architect’s control. Warren takes flight from his friends to regain his senses. Although he escaped Apocalypse’s brainwashing, he cannot escape his rage and seeks vengeance on Hodge who has now kidnapped Candy Southern.

Long ago, Warren walked into a East Village club in New York City to get his mind off of Jean Grey when from behind a pair of hands covered his eyes. “Guess who, Warren!” a voice coys. “Candy Sothern,” he replies, ” the light of my misspent youth!” (X-Men #31). The two catch up on old times and get up to dance when suddenly Warren is called into action by the Professor. He promised her a second date and the two remained friends, business partners, and lovers from that day forward.

Uncanny X-Men # 289

Uncanny X-Men # 289

As Warren swoops into save Candy, Hodge murders her. Overcome with feelings of betrayal, hatred, loss, disgust, and most of all, helplessness, Angel uses his new metal wings to slice off Cameron Hodge’s head. The entire ordeal leaves Angel more distressed than ever and it is sometime before he returns to the X-Men at Beast’s provocation.

He has hard time dealing his powers (i.e. deadly wings that act out of his subconscious and a lust for death) his public notoriety because of the X-Factor mess, and the inhuman color of his blue skin. Yet Warren moves on and tries to be the X-Man he was under the new codename– Archangel.

Feathers Stick Together

Archangel in the wake of battle in Uncanny #285

Although Warren regained his “Angel” persona sometime ago, the return of “Archangel” marks a chilling reminder of what has already traversed:

“What follows can be described only as wanton destruction. And for the source of this horror there is the blank oblivion of unconsciousness. The X-Man known as Archangel sees nothing of the carnage he has wrought. Or more correctly the carnage wrought without his direction by his wings themselves” (Uncanny X-Men #285).

In X-Force Vol. 2, # 4 and 5, Wolfsbane, under the control of the religious mutant-hating Purifiers, rips off Warren’s wings to recover Apocalypse’s technology that will build an army of metal-winged crusaders. The trauma causes Apocalypse’s tech to activate and transform Angel once more into his bloodthirsty alter ego.

What will come of Warren Worthington III now? Will he remain the tragic harbinger of death? Or is there hope that he can regain his angelic persona once more?

Archangel Returns!

Archangel Returns!

Check Out X-Force #6 August 26 to find out.

And check out the classic adventures of the winged wonder in Essential Classic X-Men Vol 1 & 2, Essential X-Factor Vol. 1 & 2, and issues of 285 to 300 of Uncanny X-Men.

- Steven Bari

X-Factor #28 – Review

By Peter David (writer), Pablo Raimondi (art), Jeremy Cox (color)

After all the super hero / mutant antics of Messiah Complex, a storyline that derailed, and even stole some of X-Factor’s identity and momentum, the series is finally back on track with issue #28. It’s very much welcomed, too. This is probably the only consistently good book amongst Marvel’s X-titles. Don’t get me wrong, the cast here is definitely feeling the ramifications of the Messiah Complex – Layla Miller is still stuck in the future and Rahne is leaving for X-Force, but the on-going subplots are finally back in play.

Speaking of X-Force, Marvel really dropped the ball by not promoting this book. In a way, it feels somewhat as a prequel to the X-Force #1. In Uncanny X-Men, Wolverine is on vacation in Europe – at least Peter David was smart enough to respect current continuity with Rahne.

So Rictor is out wandering around Mutant Town when he finds a girl who resembles Layla. But she’s not Layla. Instead, she’s a (very) fashionable prostitute who proceeds to hit him with a stun gun while her pimp beats the crap out of him. Strong Guy comes to the rescue, but I’m still wondering how Rictor recovered from the stun gun so quickly. Must have been those mutant genes!

Anyway, Madrox finally loses it and does more damage to the Purifiers (by himself, no less) than anyone in X-Force #1 ever does. Sure, we don’t see blood, but his butt kicking in 2-3 panels had me more excited than that book ever could. Now, is it me or are the Purifiers just a device Marvel created so the X-Characters had mindless fodder to kill. They’re like the Battle Android Troopers in G.I. Joe – it gave the Joes a faceless enemy that they could destroy with their guns, because heaven forbid they kill any *real* people or *real* bad guys! This same idea applies with the droid army in the Star Wars prequels! I honestly don’t like it. It’s such a lazy idea.

Tangent aside, Peter David’s dialogue is fun, as always, and you can tell he loves writing Strong Guy. Pablo Raimondi’s art is outstanding. His painstakingly detailed backdrops (especially Mutant Town), are beautiful and well complimented by Jeremy Cox’s colors. And as much as I hate pop cultural references in my comics, there’s a scene involving an iPhone that’s hilarious! This is how an X-Book is done. Way to go, guys. (Grade: B+)

- J. Montes

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